备注:已完结
类型:剧情片
导演:亨利-乔治·克鲁佐
语言:法语
年代:未知
简介:///长文预警\\\\\\ 本文从诺兰导(dǎo )演的电影《奥本海默》出发,讨论其情节刻画和人物塑造,论证知识分子的个体主(zhǔ )义伦理观的局限性。 我想要探讨的是《奥(ào )本海默》中奥本海(hǎi )默形象刻画的二重性(即奥本海默同时作为知(zhī )识分子与技术(shù )官僚)及其(qí )身份转化,并且思考这种叙事方法的伦理意义和政治意义。同时,本文也把奥本海默的影视形象视为影片中的科学共同体和技(jì )术官僚之间沟通的一环,以此(cǐ )分析其所代表的知识分子与权力之间的冲突与联系。最后分析奥本海默的政治遗产及其电影改编,体现(xiàn )奥本海(hǎi )默事件作为现实政治事件的复杂性。一、信念的二重性(xìng ):奥本海“我的心智有如回到童年,喜欢玩玩具、读那些魔法故事(shì )。至今我还是喜欢。我只希望观众看了我的幻想电(diàn )影,生(shēng )活能更快乐美(měi )妙。”——圆谷英二,《雀跃(yuè )》杂志(Caper,1965)圆谷英二带着温暖的笑,精心策动各种大灾难——世界(jiè )大战、怪兽入侵、星际战争、核爆(bào )火焰(yàn )。不过这些恐(kǒng )怖却异常美丽的事件(jiàn ),其实并非真实,它们全都只为电影而生。身为开创领域(yù )的特效艺术家,圆谷所具备的独特天分,让他得以在五十多年的职业生涯中,为众多剧本带来(lái )生命。即便过世已三十五年多,他在日本影坛仍倍享尊荣,即便是连数位特效都已(yǐ )令人厌倦的今日,他仍因杰出
备注:已完结
类型:剧情片
导演:莫洛·鲍罗尼尼
语言:意大利语
年代:未知
简介:The exploits of three young Roman criminals are chronicled in this socially conscious drama. The young men commit petty crimes all day begin with arms theft, and culminating with a night with three streetwalkers. After their pleasure, the boys try to cheat the hookers, but they ladies are smarter than that and have stolen their cash ahead of time. The punks then return to the c...
备注:已完结
类型:剧情片
导演:莫洛·鲍罗尼尼
语言:其它
年代:未知
简介: The exploits of three young Roman criminals are chronicled in this socially conscious drama. The young men commit petty crimes all day begin with arms theft, and culminating with a night with three streetwalkers. After their pleasure, the boys try to cheat the hookers, but they ladies are smarter than that and have stolen their cash ahead of time. The punks then return to the city for more crimes. Exploits include the harassment of three homosexuals, and attempts to seduce some women.
备注:已完结
类型:剧情片
主演:帕斯卡尔·普缇 安德丽·帕里西 雅克·夏里尔 洛朗·特兹弗 让-保罗·
导演:马塞尔·卡尔内
语言:法语
年代:未知
简介: Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
备注:已完结
类型:喜剧片
主演:保罗·弗朗克尔 洛朗·特兹弗 阿兰·居尼 爱迪丝·斯考博 贝尔纳·维尔
导演:路易斯·布努埃尔
语言:法语
年代:未知
简介: 皮埃尔(保罗·弗兰克尔Paul Frankeur 饰)和吉恩(劳伦特·特兹弗 Laurent Terzieff 饰)是两个从巴黎出发,沿圣雅各伯之路步行前往西班牙圣地亚哥-德孔波斯特拉古城的朝圣者。刚一出发,他们就遇到了一个披黑斗篷的奇怪男人(阿兰·克尼 Alain Cuny 饰),预言二人将会与一妓女有染,并诞下子嗣。一路上,皮埃尔和吉恩穿越不同时空,遇到了形形色色的天主教异教徒,目睹了普里西利安(让-克劳德·卡里尔Jean-Claude Carrière 饰)的神秘林中仪式,及耶稣会成员与詹森派成员的决斗。到达西班牙后,二人同意为路遇的两名年轻人看守驴子与货物。这二人因公然挑战三位一体的教条而被追捕,其中一人当晚却亲见圣母马利亚(爱迪丝·斯考博 Edith Scob 饰)显灵。 本片灵感来自《西班牙异教史》一书,获1969年柏林电影节国际联盟奖(Interfilm Award)。
备注:已完结
类型:剧情片
导演:亨利-乔治·克鲁佐
语言:法语
年代:未知
简介:斯坦尼斯公开宣布再自己的画廊举办现代艺术展,展出的都是些形状、颜色和质地让人吃惊的作品,也成为了媒体关注的焦点。艺术家吉尔伯特的雕塑作品也在其中展览,他妻子乔西被作风严厉的斯坦尼斯给迷住了,因为他把自己的闲余时间都花在了那个艺术品味独特的公寓里搞摄影。但除了那些放大的书法字帖外,斯坦尼斯还收集了一大堆关于一个心理失常的人物的照片。那么乔西为什么要冒着与丈夫闹矛盾的风险去病态地探究斯坦尼斯的神秘面目呢? 《女囚犯》(La Prisonnière,1968)是克鲁佐最后一部作品,也是他初次拍摄且唯一的一部彩色电影。在一贯悬疑的氛围下探讨艺术家特异的情*品位,不论题材还是运镜在当时都相当的大胆前卫。完成此片后,1977 年1 月12 日克鲁佐在巴黎逝世。