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类型:科幻片
主演:埃米尔·霍瓦特 玛格达·瓦沙里奥娃 弗兰季塞克·菲利波夫斯基 切斯特米
导演:卡尔·齐曼
语言:其它
年代:未知
简介: When a comet passes the earth very closely, it pulls a small part of North Africa with it. Carried along is a bunch of people. Among them Angelika, who just escaped from a ruthless weapon dealer's ship, and her two brothers, who are searching her. Then there's a group of natives, who plan a rebellion against the French colonists. All these conflicts become secondary when the people finally realize that they are doomed to live together on an alien planet. However this time of peace and world-happiness won't last for long...
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类型:喜剧片
主演:尤拉伊·恩沃塔 伊娃·比托瓦 约瑟夫·赫利诺马兹 玛丽·莫特洛娃 瓦茨
导演:杜桑·哈那克
语言:其它
年代:未知
简介: An amiable picture about entering adulthood, great dreams, and the first - forbidden - love of a white postman, Jakub, and a pretty Gypsy girl, Jolanka. This is a poetic story, a mosaic of the playful world springing from the wild imagination of the village postman and its clash with the pragmatic mundane reality that finally beats the rosy dream's of the young protagonists. Director Dusan Hanak and screenwriter Dusan Dusek's most popular film has been cherished by critics as well as wide audiences at home arid abroad.
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类型:喜剧片
主演:尤拉伊·恩沃塔 伊娃·比托瓦 约瑟夫·赫利诺马兹 玛丽·莫特洛娃 瓦茨
导演:杜桑·哈那克
语言:其它
年代:未知
简介:【韩网热议】#路云退出SF9# 金路云宣布退团,今后专注演员活动,韩网友怎么看?[吃惊] 韩网友退(tuì )团信 没有团名 没有粉丝名(míng ) 我第一次见如果决心只演戏 那就演技也得脱胎换骨演戏经历也不少了 但是没有进步早退就早点退啊既然专(zhuān )注演技 那就好好学学演技至少(shǎo )把之前一起(qǐ )奋斗的组合和粉丝名字写上去啊退团信 却完全没有组合和粉丝名字竟然一次都没有提到组合成员我第一次见充满着自(zì )我怜(lián )悯和自己感情的信许你盛焰短剧:第(dì )1集该视频主要讲述了主人公(gōng )在孤儿院长大,后被周家收养作为血库,十年后被赶出周家。周家隐瞒事实,主人公是被人(rén )贩卖而非被抛弃。主(zhǔ )人公的母亲在十岁时跳楼身亡,其骨灰被周家所压(yā )制。周家为了前途与商家联姻,开除了主人公的男友。最后,主人公的生母委托他人寻找她刚出生的孩子,主人公(gōng )才得知自(zì )己的身世。许你盛(shèng )焰短剧:第3集(jí )该视频主要讲述了情感问题。视频(pín )中的人表示已经不是傻傻的给对方当血库的人,并(bìng )表示自己过(guò )得不好,对对方不够好,希望不(bú )要提这些事情。对方则提到背叛的问题,并表示会为今天的(de )背叛做出报应。视频中还涉
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类型:剧情片
主演:Vítezslav Vejrazka 米罗斯拉夫·马哈切克 Cestm
导演:法兰提塞·维拉席
语言:其它
年代:未知
简介: In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil. The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968). Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace. As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery. Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door. The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more. Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village. The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act. The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.