备注:已完结
类型:剧情片
主演:Heinrich Hargesheimer Carlheinz Har
语言:其它
年代:未知
简介: The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
备注:已完结
类型:剧情片
主演:Heinrich Hargesheimer Carlheinz Har
语言:其它
年代:未知
简介:正史(我是索龙元帅,现在正在筹集超物质用于回归银河,点赞关注帮我一把,回来(lái )就封你(nǐ )星区总督)虽然说索龙是海军元帅,而且比较重视海战,不过他还是能打陆战,能微操的(de )。吧友又开始讨论了,索龙是不是在佩里蒂亚待久了,脑子瓦特了,亲自指挥小规模战斗了?传(chuán )统的观点认为,作为海军元帅,你就应该只会海战,就(jiù )只会宏观布局。可是索龙并不是这样的,哪怕只有(yǒu )他自己(jǐ )一个(gè )人,什么现代化的东西都没有,他也可以自导自演一场堪称传奇的小(xiǎo )规模战斗。事实上,它不仅擅长海战和高屋建瓴的宏观指(zhǐ )挥,也善于陆(lù )战和微观细节的调控。那么,索龙是如何通过这一要不是我老婆我都不(bú )会看
备注:已完结
类型:剧情片
主演:Franco Fortini 达尼埃尔·于伊耶 让-马里·斯特劳布
导演:让-马里·斯特劳布
语言:法语
年代:未知
简介: 81-year-old master, Jean-Marie Straub, once again invents and surprises with his latest film. Kommunisten consists of six parts, five of which have been taken from his earlier works. Straub does not aim to be self-reverential, but instead wants to make different blocks (of text, time, and languages) clash so as to highlight invisible elements of feelings and politics. It is a film about human adventure, from the past century to the one ahead. In this project, all the things that the films of Jean-Marie Straub and Danièle Huillet have been based on for the past fifty years, find their most raw and recent form.