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类型:剧情片
主演:拉多万·卢卡夫斯基 古斯塔夫·瓦拉赫 艾米丽娅·瓦萨约娃 威廉·波洛尼
导演:爱德华·格莱纳
语言:其它
年代:未知
简介: 与Stefan Uher和Elo Havatta一样,Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》(1964)《尼绒月亮》(1965)和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。 A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called "intellectual" film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak: Muz, ktory luze; French title: L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).
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类型:剧情片
主演:马里乌什·德莫霍夫斯基 贝娅塔·蒂希基维茨 菲耶夫斯基·塔德乌什 Ja
导演:沃伊切赫·哈斯
语言:其它
年代:未知
简介: The Doll is an adaptation of the novel, The Doll (novel) by Bolesław Prus, which is regarded by many as one of the finest Polish novels ever written and, along with Pharaoh (novel), made Bolesław Prus a potential candidate for the Nobel Prize in literature. The influence of Émile Zola is evident, and some have compared the novel to Madame Bovary by Gustave Flaubert; both were Prus's contemporaries. The movie, however, may be more compared to Stendhal's Le Rouge et le Noir, (The Red and the Black). The Doll constitutes a panorama of life in Warsaw between 1878 and 1879, and at the same time is a subtle story of three generations of Polish idealists, their psychological complications, their involvement in the history of the nineteenth century, social dramas, moral problems and the experience of tragic existence. At the same time this story describes the disintegration of social relationships and the growing separation of a society whose aristocratic elite spreads the models of vanity and idleness. In the bad air of a backward country, anti-Semitic ideas are born, valuable individuals meet obstacles on their way, and scoundrels are successful. This poetic love story follows a nouveau riche merchant, Stanislaw Wokulski, through a series of trials and tribulations occasioned by his obsessive passion for an aristocratic beauty, Izabela Lecka, played by the famous Polish actress, Beata Tyszkiewicz. Plot: As a descendant of an impoverished Polish noble family, young Wokulski is forced to work as a waiter at Hopfer's, a Warsaw restaurant, while dreaming of a life in science. After taking part in the failed 1863 Uprising against Tsarist Russia, he is sentenced to exile in Siberia. On eventual return to Warsaw, he becomes a salesman at Mincel's haberdashery. Marrying the late owner's widow (who eventually dies), he comes into money and uses it to set up a partnership with a Russian merchant he had met while in exile. The two merchants go to Bulgaria during the Russo-Turkish War of 1877-78, and Wokulski makes a fortune supplying the Russian Army. The enterprising Wokulski now proves a romantic at heart, falling in love with Izabela, daughter of the vacuous, bankrupt aristocrat, Tomasz Łęcki. In his quest to win Izabela, Wokulski begins frequenting theatres and aristocratic salons; and to help her financially distressed father, founds a company and sets the aristocrats up as shareholders in his business.The indolence of these aristocrats, who secure with their pensions, are too lazy to undertake new business risks, frustrates Wokulski. His ability to make money is respected but his lack of family and social rank is condescended to. Because of his "help" (in secret) to Izabela's impecunious but influential father, the girl becomes aware of his affection. In the end she consents to accept him, but without true devotion or love.(wikipedia)
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类型:喜剧片
主演:尤拉伊·恩沃塔 伊娃·比托瓦 约瑟夫·赫利诺马兹 玛丽·莫特洛娃 瓦茨
导演:杜桑·哈那克
语言:其它
年代:未知
简介: An amiable picture about entering adulthood, great dreams, and the first - forbidden - love of a white postman, Jakub, and a pretty Gypsy girl, Jolanka. This is a poetic story, a mosaic of the playful world springing from the wild imagination of the village postman and its clash with the pragmatic mundane reality that finally beats the rosy dream's of the young protagonists. Director Dusan Hanak and screenwriter Dusan Dusek's most popular film has been cherished by critics as well as wide audiences at home arid abroad.
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类型:剧情片
语言:其它
年代:未知
简介: A bit of color for once, all the better to see the red flags with, not to mention the obvious aerial file footage of Warsaw. The story concerns Jozef Malesa, the mason or bricklayer of the title. He was once the darling of the party, the son of two old party activists, a worker of heroic reputation, his own commitment to The Movement unquestioned. He was chosen to be destined for great things, specially educated and pushed forward to positions of responsibility in the Party. Eventually he decides, because of the ethical pressures which he feels from the obstructionism of the bureaucracy from above, he asks to return to be a simple bricklayer. He is disturbed with the way the Party deals with people, especially their lack of direct contact. He thinks workers know better than the leadership many times but that's not the way power flows. He is uncomfortable with the compromises to his idealism. He remains committed to social justice and joins his friends for the May Day rally where his comfort and confidence in his place in society cause him to defer to no man, certainly no rat faced men in overcoats with red armbands. His great pleasure in life moreover is laying brick. He finds the work satisfying and fulfilling which is why he was such an obviously superior worker in the first place.
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类型:剧情片
主演:马里乌什·德莫霍夫斯基 贝娅塔·蒂希基维茨 菲耶夫斯基·塔德乌什 Ja
导演:沃伊切赫·哈斯
语言:其它
年代:未知
简介:剧集2020-20212013年,春节(jiē )档电影票房总计(jì )7.7亿元,其中(zhōng )《西游降魔篇》一(yī )部电影就取得了超过5亿元的票房,奠定了春节档的概念。随(suí )后的几年里,春节档票房逐年上升,从2013年的7.7亿元增长至2021年的78.4亿元,提升了整整10倍。 [图片] 在这十年间,春节档的票房占比也逐渐增加,从2013年占全年票房的3.57%提升至2021年的16.67%,显示出春节档在中国电影市场中的重要地位。其中,2021年春节档以78.22亿元获得票房之最,五部影片《长津湖之水门桥》《狙击手》《四海》《奇(qí )迹·笨小孩》《这个杀(shā )手不太冷静
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类型:喜剧片
主演:尤拉伊·恩沃塔 伊娃·比托瓦 约瑟夫·赫利诺马兹 玛丽·莫特洛娃 瓦茨
导演:杜桑·哈那克
语言:其它
年代:未知
简介:【韩网热议】#路云退出SF9# 金路云宣布退团,今后专注演员活动,韩网友怎么看?[吃惊] 韩网友退(tuì )团信 没有团名 没有粉丝名(míng ) 我第一次见如果决心只演戏 那就演技也得脱胎换骨演戏经历也不少了 但是没有进步早退就早点退啊既然专(zhuān )注演技 那就好好学学演技至少(shǎo )把之前一起(qǐ )奋斗的组合和粉丝名字写上去啊退团信 却完全没有组合和粉丝名字竟然一次都没有提到组合成员我第一次见充满着自(zì )我怜(lián )悯和自己感情的信许你盛焰短剧:第(dì )1集该视频主要讲述了主人公(gōng )在孤儿院长大,后被周家收养作为血库,十年后被赶出周家。周家隐瞒事实,主人公是被人(rén )贩卖而非被抛弃。主(zhǔ )人公的母亲在十岁时跳楼身亡,其骨灰被周家所压(yā )制。周家为了前途与商家联姻,开除了主人公的男友。最后,主人公的生母委托他人寻找她刚出生的孩子,主人公(gōng )才得知自(zì )己的身世。许你盛(shèng )焰短剧:第3集(jí )该视频主要讲述了情感问题。视频(pín )中的人表示已经不是傻傻的给对方当血库的人,并(bìng )表示自己过(guò )得不好,对对方不够好,希望不(bú )要提这些事情。对方则提到背叛的问题,并表示会为今天的(de )背叛做出报应。视频中还涉
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类型:科幻片
主演:Marouane Meftah Kika van de Vijver
语言:荷兰语
年代:未知
简介:曾经把前任123部都追完了。没有代入(rù ),但又觉得很伤感可能是自己没有前任的原因吧目前还没有(yǒu )去看前任4但是很多网上的评价真的感到恶心:和前任一起去看前任4中秋节和前任约会开房看电(diàn )影前任4上映了,前缘再续,有情人终将复合有些人(rén )电影都没看懂就胡乱带节奏,甚至发生一些过分的事情我自诩不(bú )懂感情却也明白专一的道理那些和前任乱搞(gǎo )的,不知(zhī )道有没(méi )有考虑过现任的感受真的很悲哀这个时代就这样(yàng )吧剧集2020-2021
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类型:其他
导演:安杰伊·蒙克
语言:其它
年代:未知
简介: 1952年的夏天,波兰人民共和国建立的第八个年头,农民们在田间地头劳作,满心欢喜收割着自己辛勤劳动得来的果实。可就在解放前,农民的生活却凄惨无比。19356年出版的《农民日记》,记录了解放前穷苦波兰农民的惨状。肥沃的土地养育了农民,但否定了他们的存在。他们的孩子因缺少营养形成弓形腿,每家只能在复活节时才能买到一公斤糖,为了面包他们移民和漂泊,居无定所。 摄制组按照日记中的描述,走访了那些村落小镇,见证着解放后农民生活天翻地覆般的改变,农民子女对美好未来的追求和践行。忘不掉前夜的黑暗,同时更加感激今天的温暖阳光……